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Léger was one in all the foremost distinguished and prolific artists in Paris within the half of the 20th century. He was first known to the avant-garde in 1909, once he exhibited his work the Salon d'Automne within the company of artists like Duchamp and statue maker. His early mature work was powerfully influenced by art movement and, when serving in warfare I, he developed a private kind of abstraction that additional manifested the speed and dynamism of up to date society.

Fernand Leger was a French painter who started his career as an architect. He was then in a military service in Versailles and applied at the Ecole Beaux-Arts where he got rejected. In spite of being rejected, he attended as a non-enrolled student. He started working as a painter at the age of 25, where his works showed the influence of Impressionism as seen in few of his paintings.

His infatuation with the machine and technology, reflects the “mechanical amount," that lasted from concerning 1918 to 1923, Works from this era are characterised by revenant interchangeable geometric elements-among them, the cone, the cylinder, and therefore the disk-that appear suspended in an exceedingly utterly flat or shallow, relief-like a house. Actually, none of those works depicts diagnosable mechanical components, but, instead, everyone is supposed to evoke the impersonality of a brand new machine age.

In painting, we tend to are confronted with a rather cheerful and ornamental mechanized world of abstracted joints, pistons, and levers. Set against a framework of thick, black horizontal and vertical lines, Léger's "mechanical elements" are composed of tightly interlocking circles, ellipses, curves, diagonals, rectangles, dots, and teams of parallel wavy lines. In their rhythmic arrangement, these bright coloured forms wake up mind the urban design, new modes of transportation, and time-saving technologies that were reworking the trendy world.