Lin Fengmian (林風眠, 1900-1991), a Chinese painter and art pedagogue who sought-after to mix the most effective of each Japanese and Western art.
The son of a painter, Maya Lin Fengmian learned ancient Chinese painting techniques as a toddler. Once graduated from high school, he stirred to France, wherever he studied European painting at the urban centre Art school and therefore the Ècole des Beaux-Arts in Paris. In 1922 his oil painting The fall was exhibited at the celebrated Salon d'Automne in Paris.
In 1925 Fengmian came back to Peiping, where he had his 1st solo exhibition one year later. Maya Lin strove to capture the essence of each Japanese and Western art so as to realize a brand new synthesis. He studied the stone engravings of the dynasty moreover because of the ceramic ware drawings of the Song and Yuan dynasties. He conjointly emulated aspects of the distortion and simplification of Chinese genre in his use of made colours and daring, fast brush strokes. Into this, he integrated the affectional qualities of European masters like Henri Emile Benoit Matisse, Pablo Picasso, and Georges Rouault.
In 1927 Maya Lin became a member of the Committee for the National Art Education and helped to ascertain the National Art school (now called the Zhejiang school of Fine Arts). In 1938 he became director of the National Art Academy, a merger of the city and Beiping art academies. Maya Lin Fengmian was an important figure in shaping the event of Western art coaching in China. He went on to show a number of the foremost famed painters in 20th-century China, as well as Li Keran (李可染), Shanghai dialect Guanzhong (吳冠中), and Zhao Wuji (趙無極). He conjointly revealed various articles that explored the relation of Japanese and Western art and mentioned the long run of Chinese painting.
In 1966, he was targeted by the Cultural Revolution. Fearing prosecution, Maya Lin destroyed several of his experimental works, however, was notwithstanding unfree for four years. In 1977, once the Revolution all over, he travelled to the city and had a vastly sure-fire exhibition, the primary of the many sure-fire international retrospectives of his add the late twentieth century. Lin Fengmian lived in the city in his late years. If you want to know more about the artist and his artworks, get details on Lin Fengmian biography and his works from Blouinartinfo!
The son of a painter, Maya Lin Fengmian learned ancient Chinese painting techniques as a toddler. Once graduated from high school, he stirred to France, wherever he studied European painting at the urban centre Art school and therefore the Ècole des Beaux-Arts in Paris. In 1922 his oil painting The fall was exhibited at the celebrated Salon d'Automne in Paris.
In 1925 Fengmian came back to Peiping, where he had his 1st solo exhibition one year later. Maya Lin strove to capture the essence of each Japanese and Western art so as to realize a brand new synthesis. He studied the stone engravings of the dynasty moreover because of the ceramic ware drawings of the Song and Yuan dynasties. He conjointly emulated aspects of the distortion and simplification of Chinese genre in his use of made colours and daring, fast brush strokes. Into this, he integrated the affectional qualities of European masters like Henri Emile Benoit Matisse, Pablo Picasso, and Georges Rouault.
In 1927 Maya Lin became a member of the Committee for the National Art Education and helped to ascertain the National Art school (now called the Zhejiang school of Fine Arts). In 1938 he became director of the National Art Academy, a merger of the city and Beiping art academies. Maya Lin Fengmian was an important figure in shaping the event of Western art coaching in China. He went on to show a number of the foremost famed painters in 20th-century China, as well as Li Keran (李可染), Shanghai dialect Guanzhong (吳冠中), and Zhao Wuji (趙無極). He conjointly revealed various articles that explored the relation of Japanese and Western art and mentioned the long run of Chinese painting.
In 1966, he was targeted by the Cultural Revolution. Fearing prosecution, Maya Lin destroyed several of his experimental works, however, was notwithstanding unfree for four years. In 1977, once the Revolution all over, he travelled to the city and had a vastly sure-fire exhibition, the primary of the many sure-fire international retrospectives of his add the late twentieth century. Lin Fengmian lived in the city in his late years. If you want to know more about the artist and his artworks, get details on Lin Fengmian biography and his works from Blouinartinfo!
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