Biography of Fernand Léger

Fernand Léger was born in rural geographical region on Gregorian calendar month four, 1881 and raised by his family to require up a valuable trade, like his father World Health Organization was an oxen dealer. When finishing his training in 1903, he studied in Paris at the Ecole des Arts Décoratifs and Académie general. Throughout his studies, he created a living doing beaux arts drawings and retouching pictures. His paintings throughout this early amount show influence from Impressionism, however the 1907 retrospective of Paul Cézanne at the Salon d'Automne modified the direction of his art.

In 1909, Léger enraptured to Montparnasse and painted early Cubist works like lupus Compotier city la Table (1909). Although he had met Georges Braque, sculptor, and Rousseau, his nighest friends were the writers Wilhelm Apollinaris de Kostrowitzki and Blaise Cendrars. At the 1911 Salon des Indépendants, Léger exhibited paintings that semiconductor diode to his recognition as a significant Cubist creator, notably Nudes within the Forest (1909-1910). He continued to exhibit at the Indépendants and at the Salon d'Automne till he was written in 1914, returning with a head injury when being gassed at battle of Verdun in 1916. His war expertise fueled Léger’s interest within the human figure. He claimed that he forgot the abstraction of 1912-13 as a result of the "crudeness, variety, humor, and downright perfection of sure American staten around me, their precise sense of utilitarian reality and its application within the thick of the crucial drama we have a tendency to were in ... created American state need to color in slang with all its color and quality."

In 1920, Fernand Léger married Jeanne-Augustine Lohy and conjointly met designer with whom he would stay shut friends. He aligned himself closely with the circle designer World Health Organization was curious about machinery and portraying speed and motion. His clean, figurative vogue and retreat from abstraction during this amount ar evident in 3 ladies (Le Grand Déjeuner) of 1921. There are obvious nods to Futurism in a number of his works from this era.

During the Twenties he branched out into alternative strategies of artistic expression. He illustrated books, created sets and costumes for ballet and theater performances, and even created the film, Ballet Mechanique, in 1924. it absolutely was conjointly in 1924 that he supported a free college for contemporary art in Paris with Amédée Ozenfant wherever he tutored aboard Marie Laurencin and Aleksandra Ekster.